THTR 301B - 001

Artistic, decorative, cultural, and social contexts of selected theatrical genres and periods.

Year: 2011/12 W (Term 2)

Tuesday, Thursday 10:00–12:00 am
Room 112, Frederic Wood Theatre

Resource Website:
http://www.theatre.ubc.ca/dress_decor


Instructor: Ronald Fedoruk
Office: Rm 113, Frederic Wood Theatre
Phone: 604-822-3707
email: rfedoruk@mail.ubc.ca
http://conceptu-alley.arts.ubc.ca

Office hours: TBA

This course will explore the relationship between the architecture, the fine and performing arts, decor, and dress of western civilization. Using visual examples, the cultural and social contexts of selected periods will be discussed. The elements of design - line, form and the use of colour - will be analyzed and comparisons made among the various period styles. It should be a useful resource for students of theatre design and production, theatre history, and performance.

 

 

 

 

 


 

 

FINAL EXAM OPTION

 

Schedule:

Jan 5  Intro/Website/Assignments
Process, Pronunciation and Practical example

Jan 10/12
Paleolithic Art: Who were those guys ?!

Jan 17/19
Sumerians walk like an Egyptian

Jan 24/26 
Its all Greek to me

Jan 31/Feb 2
Friends, Romans & Countrymen
TAKE HOME QUIZ: Ancient and Classical Dress & Decor
PRESENTATION RUBRIC

Feb 7 - Feb 9
The Baroque: Oh, Watteau time it was!

Feb 14/16
Romanticism: La Bastille et Sturm und Drang

Feb 21/23 - Midterm Break
No Classes

Feb 28/Mar 1
1960: Beats and the Beatles
1970: Acid and AC/DC

Mar 6/Mar 8-
1980: Hard Bodies and Soft Rock
1990 Boomers and Boom Cars

Mar 13 / Mar 15- Priviledge and Postmodernism 
TAKE HOMEQUIZ #2: Baroque, Romantic & 20thC. Dress & Decor

Mar 20/22 - PROJECT PRESENTATIONS
Mar 27/29 - PROJECT PRESENTATIONS
Apr 3/5 - PROJECT PRESENTATIONS

FINAL EXAM OPTION

 

 

 

 

 

 

 

Grading:

Quiz #1:   20%
Quiz #2:   20%
Project:  25%
  Exam:   25%
Participation: 10%


Bibliography:


Primary information and Required Reading
is the Resource Website at:
http://www.theatre.ubc.ca/dress_decor


A General Bibliography and additional resource information for Designers is available at:
http://www.theatre.ubc.ca/thtr505


Additional resource information specific to THTR 301:  

François Boucher, 20,000 Years of Fashion , Harry N. Abrams, Inc., 1987

James Laver and Christina Probert:   Costume and Fashion : a concise history, New York: Oxford University Press, 1983.

Phyllis G. Tortora and Keith Eubank, Survey of   Historic Costume , Fairchild Publications, New York, 2005

Costume Society of America: Dress. New York, Costume Society of America, 1975-2008

Joanne B. Eicher, ed: Dress and Ethnicity: Change Across Space and Time, Oxford ; Washington, D.C., Berg, 1995.

Joanne B. Eicher, Sandra Lee Evenson, Hazel A. Lutz:   The Visible Self : global perspectives on dress, culture, and society , New York : Fairchild Publications, 2008.

Janetta Rebold Benton, Robert DiYanni:   Arts and Culture : an introduction to the humanities, Upper Saddle River, N.J. : Prentice Hall, 1999, 2005.

E.H. Gombrich: The Sense of Order : a study in the psychology of decorative art , London : Phaidon Press, 1984

Dick Hebdige: Subculture: the Meaning of Style [electronic resource] London, Routledge, 1988
    Online access: Connect to MyiLibrary resource

Hugh Honour and John Fleming, The Visual Arts, A History , Prentice Hall, Inc., 2002

John Fleming and Hugh Honour: The Penguin Dictionary of the Decorative Arts , London, Viking, 1989.

Simon Unwin: Analysing Architecture  Taylor & Francis, 2003
    Online access: Connect to MyiLibrary resource

John Morley, The History of Furniture , Little, Brown and Co., 1999

Aronson, Joseph:   The Encyclopedia of Furniture, New York, Crown Publishers, 1965

Hayward, Helena, Douglas Ash:   World Furniture : an illustrated history , New York, McGraw-Hill, 1965.

Douglas A. Russell, Period Style for the Theatre, Allyn and Bacon, Inc., 1980

Dennis P. Doordan, ed: Design History : an anthology,   Cambridge, Mass. : MIT Press, c1995.

Marilyn Stokstad, Art History , Prentice Hall, Inc., Harry Abrams, Inc., Publishers, 1995

Frederick Hartt:   Art : a history of painting, sculpture, architecture,   New York, H.N. Abrams, 1989.

Ann Ferebee, A History of Design from the Victorian Age to the Present , 1970, Van Nostrand, New York

Penny Sparke, Brenda Martin and Trevor Keeble:   The Modern Period Room [electronic resource] : the construction of the exhibited interior 1870 to 1950
    Online access: Connect to MyiLibrary resource  

Brenda Martin, Penny Sparke: Women's Places : Architecture and Design 1860-1960   London , New York, Routledge, 2003.
    Online access: Connect to MyiLibrary resource

Maxine Berg:   The Age of Manufactures, 1700-1820, London, New York, Routledge, 1994.
    Online access: Connect to MyiLibrary resource

Neil McKendrick, John Brewer, J.H. Plumb:   The Birth of a Consumer Society: The Commercialization of Eighteenth-Century England,   Bloomington : Indiana University Press, c1982. 

Frank Russell: Art Nouveau Architecture, New York, Rizzoli, 1979.

Paul Greenhalgh, ed: Art Nouveau : 1890-1914, London,   Victoria and Albert Museum ; Washington, D.C. : National Gallery of Art, 2000.

Adrian Forty: Objects of Desire, New York : Pantheon Books, 1986.

Peter Collins: Changing Ideals in Modern Architecture, 1750-1950,   Montreal : McGill-Queens University Press, c1998.

Charles Jencks and Karl Kropf, eds:   Theories and Manifestoes of Contemporary Architecture, Chichester, England ; Etobicoke, Ont. ,Wiley-Academy, c2006.

David Revere McFadden ed: Scandinavian Modern Design, 1880-1980, New York : Abrams, 1982.

Marianne Aav, et al:   Finnish Modern Design : utopian ideals and everyday realities, 1930-1997 ,   New Haven : Bard Graduate Center for Studies in the Decorative Arts : Yale University Press, c1998.

Sacheverell Sitwell:   British Architects and Craftsmen: a survey of taste, design, and style during three centuries, 1600 to 1830, London,   B.T. Batsford Ltd., 1945

David Hicks: Style and Design, Harmondsworth, New York, Viking, 1987.

Ernest F. Fenollosa: Epochs of Chinese & Japanese Art : an outline history of East Asiatic design , New York ; Tokyo : ICG Muse; Tokyo 2000.

Michiaki Kawakita: Introduction to Japanese Art, Tokyo, Kokusai Bunka Shinkokai, 1963.

Penny Sparke: Japanese Design , New York, Museum of Modern Art, 2009

David N. Buck: Responding to Chaos : Tradition, Technology, Society, and Order in Japanese Design, London ; New York : E & FN Spon, 2000.

Author??:   Chinese Designs & Symbols.   New York : Art Resources for Teachers & Students, 1991, c1982.

Lion, Daisy Goldschmidt: Chinese Art .   London : Studio Books, c1960

Frank Willett: African Art : an Introduction, New York, Thames and Hudson, 1993.

Trowell, Margaret:   African Design,   London, Faber & Faber 1965, c1960

Reg Ashwell: Coast Salish : their art, culture and legends, Saanichton, B.C. : Hancock House, c1978.

Bill Holm: Northwest Coast Indian Art, Seattle, Iniversity of Washington, 1965

Peter Macnair, Robert Joseph, Bruce Grenville:   Down from the Shimmering Sky : Masks of the Northwest Coast , Seattle, : University of Washington Press, 1998.

Dmitri V. Sarabianov:   Russian Art : from neoclassicism to the avant garde, 1800-1917 , London : Thames and Hudson, 1990.

Robert Auty and Dimitri Obolensky eds:   Introduction to Russian Art and Architecture, Cambridge ; New York : Cambridge University Press, 1980.

Richard Pare:   The Lost Vanguard : Russian modernist architecture 1922-1932 ,   New York : Monacelli Press, 2007.

Trowell, Margaret:   African Design,   New York, Praeger,1960

Allan Hanson and Louise Hanson eds:   Art and Identity in Oceania, Honolulu : University of Hawaii Press, 1990.

Anthony Bradley & Terry Smith eds:   Australian Art and Architecture, Melbourne : Oxford University Press, 1980.

Roland and Sabrina Michaud,   Michael Barry;   Colour and Symbolism in Islamic Architecture : eight centuries of the tile-maker's art . London : Thames and Hudson, c1996 .

Leland M. Roth:   American Architecture : a history,   Boulder, Colo., Westview Press, 2001.

Hayward Gallery:   Art of Ancient Mexico. London : South Bank Centre, 1992.

Harold Kalman:   History of Canadian Architecture, Toronto, New York, Oxford University Press, 1994.

 

 

 

UBC Policies:

Regular attendance is expected of students in all their classes (including lectures, laboratories, tutorials, seminars, etc.). Students who neglect their academic work and assignments may be excluded from the final examinations. Students who are unavoidably absent because of illness or disability should report to their instructors on return to classes.

Students should retain a copy of all submitted assignments (in case of loss) and should also retain all their marked assignments in case they wish to apply for a Review of Assigned Standing. Students have the right to view their marked examinations with their instructor, providing they apply to do so within a month of receiving their final grades. This review is for pedagogic purposes. The examination remains the property of the university.

Late assignments: At the discretion of the instructor

Last date for withdrawal without a W: January 16
Last day to change Credit/D/Fail grading: January 16
Last date for withdrawal without an F: February 10

The University accommodates students with disabilities who have registered with the Disability Resource Centre. The University accommodates students whose religious obligations conflict with attendance, submitting assignments, or completing scheduled tests and examinations. Please let your instructor know in advance, preferably in the first week of class, if you will require any accommodation on these grounds. Students who plan to be absent for varsity athletics, family obligations, or other similar commitments, cannot assume they will be accommodated, and should discuss their commitments with the instructor before the drop date.

Please review the UBC Calendar “Academic regulations” for the university policy on cheating, plagiarism, and other forms of academic dishonesty. Also visit www.arts.ubc.ca and go to the students’ section for useful information on avoiding plagiarism and on correct documentation.

 

  THE UNIVERSITY OF BRITISH COLUMBIA
       Department of Theatre and Film

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

=